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He began the key variation at the 8-bar section at bar 17, and then again later on in the beat.Īt bar 33, he creates a breakdown in the beat. He did that so the same melody doesn’t repeat from start to finish in the beat, to add variation in the melody. For eight bars at a time, OBaH changes the key of the synth part from G major to A major. How does he do that? When you mouse over a MIDI clip in Soundtrap, you’ll see the Edit option appear.

The synth starts at the beginning of the track, but at bar 17, the key changes. He also removed a few notes from the melody when he did a breakdown in the beat. He did a few things at one point in the beat, he changed the key of the synth. OBaH found a nice synth loop in the loop library called Final Boss, and didn’t change too much about it. We also want to show that anyone can make a quality beat in Soundtrap without being a trained musician, and loops are great for this. The premade loops showcase the type of quality sounds that come in Soundtrap. OBaH’s sounds come from pre-made loops found in the Soundtrap loop library. It is the producer’s ability to pick out complimentary sounds, and to arrange, edit and mix those sounds, that makes the difference between an okay beat and a really good one. The elements that make up trap music are pretty simple. In the video above, OBaH discusses trap music techniques and some cool creative strategies for your productions. His sound is the trap sound: syncopated, heavy drum programming, booming 808 basses, simple melodies and harmonies, as well as a nice mixdown to complement the vocalist.

He’s produced tracks for every major artist in the genre. Metro Boomin is one of the top trap producers right now. Today we are going to create a Metro Boomin type beat using Soundtrap.